Philip James Chandler is a 29 year old portrait and figurative painter, currently based in North Yorkshire, England.
His paintings are derived from continued fascination and research of the human body, specifically the figure and the mind that occupies. Drawing on his own experiences and those of others, he explores subjects such as aesthetic satisfaction, mental health and their abstraction.
Although she grew up in an artistic environment, Kuala Lumpur-based Peisy Ting did not set out to be an artist, but a lingering affection for art and design which led her to Birmingham City University, UK where she graduated with a degree in Visual Communications in 1999. Upon her return to Malaysia, she then spent more than a decade and a half as an art director in advertising before taking a heartfelt leap to pursue her hidden passion to paint.
Katie Hallam is fascinated with the complexity of a digital image and also the unpredictable nature of how an image can be altered either intentionally or via the simple product of an error; a glitch. These errors in technology are normally fleeting moments or ‘hiccups’ in transmission where screens freeze, break up the data, crackle the sound or fuzz out completely! We all find these errors a lot less tolerated and something that just shouldn’t happen in ‘today’s world’ as we continue to strive for perfection and instant, seamless results.
We are delighted to introduce the talented artist Aphra O’ Connor to The FLUX Review. Aphra assembles pattern and form aiming to create a dynamic equilibrium within her work, bringing together 2d and 3d design in coadunation and absolute equivalence. This balance is critical in allowing Aphra to unite sculptural forms and drawn patterns in a new dimension that is both flat and solid.
